creedo299
Epochal Historian
The following lyrics, from the group Cutting Crew.
A review without study.
http://www.afn.org/~afn30091/songs/c/cutting-ive.htm
I've Been in Love Before - Cutting Crew
Catch my breath close my eyes
Don't believe a word
Things she said overheard
Something wrong inside
It's you admit it
Then you know you're in it
I've been in love before
I've been in love before
The hardest part is when you're in it
I've been in love before
I've been in love before
Just one touch just one look
A dangerous dance
One small word can make me feel
Like running away
You can't say you're in it no
Until you reach the limit
I've been in love before
I've been in love before
The hardest part is when you're in it
I've been in love before
I've been in love before
I've been in love before
I've been in love before
The hardest part is when you're in it
I've been in love before
I've been in love before
I've been in love
The hardest part is when you're in it
I've been in love
I've been in love before //
The review:I am amazed at this piece of music.
I purposely have not studied this group, but have gone on only a guess, of what they are.
This piece in contemporary rock and roll, is done in a way, that purposely shows a slower rhythm.
I am a Pink Floyd fan.I understood long ago, that Pink Floyd's music was never demonic, so to say.
But had exceedingly complex musical rhythms, which were more classical offworld in nature, than really anything Earth.
I think, but I'm not sure that this is a British group?
The first set of lyrics softly sung, do not barge onto the musical background laid for it, but work theirselves in, in an oh so gentle way.
The lyrics, say and softly, Catch my breath, (then space a beat), close my eyes, then the rest of the lyrics go forth in this stanza.
The way this piece of music is put forward, is that it speaks softly, but carries a very big stick.
The rhythems are kept, by a softly played pair of Maracas.This tempo, along with the background supporting music, being strong; however set with purposeful design.
This one particular cut from Cutting Crew, builds to a love technocracy, which is strongly replete with offworld themes.
There is accompaniment in the background by guitars, however how they are musically played, is to slyly build in-line with the synthesizer crescendo.
There is one part of this song and it is after the second set of lyrics, where this group lets the synthesizer ramp up full bore. The effect, when I listen to this part, that overhead I envision something similar to a Klingon Battlecruzier.
The funny thing is, I know it's not Klingon, but only a generic representation of this stile of ship.
However the detail comes in with exceedingly accurate,so visualizing every nuance of the entire ship.
What is more astounding, is this visualization is actual sized, with the dimensions about the length of two football fields in length.
I can see the two engine nacelles, in the back of the ship, pushed out at a slant.
Still what is more odd, I can feel the weight of this immense ship.
When I first heard this song, I was driving by a small river inlet, which for some reason had made me visualize this ship.
I love this piece of music. This recording is so very well done, that they could have recorded it for hours and I would have still ate it up!.
These words come after listening to this piece:She is waiting for us.
She is waiting for you.
When I see her for the first time, I wander why she seems so strange to me.
When I am at her helm, I then know that this vision was not of her alone, however of the joining of her captain and willful crew.
I see the stars and they wait for me.
No cruel songstress does pine for our plight this day. But a whisper of the sprites held in star dust, thousands of light years in places which have never seen, such as we.
I press forward on the controls.The crystals give their grunts and she moves.
Moves as does silk, go gently and then as lore is sung to carefree songs.
Catch my breath,.... close my eyes^
Don't believe a word
A review without study.
http://www.afn.org/~afn30091/songs/c/cutting-ive.htm
I've Been in Love Before - Cutting Crew
Catch my breath close my eyes
Don't believe a word
Things she said overheard
Something wrong inside
It's you admit it
Then you know you're in it
I've been in love before
I've been in love before
The hardest part is when you're in it
I've been in love before
I've been in love before
Just one touch just one look
A dangerous dance
One small word can make me feel
Like running away
You can't say you're in it no
Until you reach the limit
I've been in love before
I've been in love before
The hardest part is when you're in it
I've been in love before
I've been in love before
I've been in love before
I've been in love before
The hardest part is when you're in it
I've been in love before
I've been in love before
I've been in love
The hardest part is when you're in it
I've been in love
I've been in love before //
The review:I am amazed at this piece of music.
I purposely have not studied this group, but have gone on only a guess, of what they are.
This piece in contemporary rock and roll, is done in a way, that purposely shows a slower rhythm.
I am a Pink Floyd fan.I understood long ago, that Pink Floyd's music was never demonic, so to say.
But had exceedingly complex musical rhythms, which were more classical offworld in nature, than really anything Earth.
I think, but I'm not sure that this is a British group?
The first set of lyrics softly sung, do not barge onto the musical background laid for it, but work theirselves in, in an oh so gentle way.
The lyrics, say and softly, Catch my breath, (then space a beat), close my eyes, then the rest of the lyrics go forth in this stanza.
The way this piece of music is put forward, is that it speaks softly, but carries a very big stick.
The rhythems are kept, by a softly played pair of Maracas.This tempo, along with the background supporting music, being strong; however set with purposeful design.
This one particular cut from Cutting Crew, builds to a love technocracy, which is strongly replete with offworld themes.
There is accompaniment in the background by guitars, however how they are musically played, is to slyly build in-line with the synthesizer crescendo.
There is one part of this song and it is after the second set of lyrics, where this group lets the synthesizer ramp up full bore. The effect, when I listen to this part, that overhead I envision something similar to a Klingon Battlecruzier.
The funny thing is, I know it's not Klingon, but only a generic representation of this stile of ship.
However the detail comes in with exceedingly accurate,so visualizing every nuance of the entire ship.
What is more astounding, is this visualization is actual sized, with the dimensions about the length of two football fields in length.
I can see the two engine nacelles, in the back of the ship, pushed out at a slant.
Still what is more odd, I can feel the weight of this immense ship.
When I first heard this song, I was driving by a small river inlet, which for some reason had made me visualize this ship.
I love this piece of music. This recording is so very well done, that they could have recorded it for hours and I would have still ate it up!.
These words come after listening to this piece:She is waiting for us.
She is waiting for you.
When I see her for the first time, I wander why she seems so strange to me.
When I am at her helm, I then know that this vision was not of her alone, however of the joining of her captain and willful crew.
I see the stars and they wait for me.
No cruel songstress does pine for our plight this day. But a whisper of the sprites held in star dust, thousands of light years in places which have never seen, such as we.
I press forward on the controls.The crystals give their grunts and she moves.
Moves as does silk, go gently and then as lore is sung to carefree songs.
Catch my breath,.... close my eyes^
Don't believe a word